8. Mai 2020: Run Lola Run

pirate cinema berlin sebastian at rolux.org
Fri May 8 05:58:48 UTC 2020


AUSTAUSCHANZEIGE
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TERMINAL BEACH PRESENTS: SHADOWDIVING E02 VIRUS IS A LANGUAGE [2020-04-30]

A journey between containment and escape - in no particular order, with:
Clark Coolidge, Nurse with Wound, Dead Can Dance, David Toop, Roland Barthes, 
Marina Rosenfeld, Haco, Mendi & Keith Obadike, Luciano Berio, Gilles Deleuze, 
Kommando Raumschiff Zitrone/Roberta Flack, Moor Mother, Cocteau Twins, Jan 
Švankmajer/Lewis Carroll, Joan La Barbara, Public Enemy, Khoisan Click, John 
Oswald, C. Spencer Yeh, Pauline Oliveros, AGF, Jean-Luc Godard, ASMR 
Glossolalia, Lucrecia Dalt, Robert Hushley, Jennifer Walshe, Robert Wyatt, 
Brion Gysin, Carmelo Bene, David Lynch & Jocelyn Montgomery/Hildegard Von 
Bingen, Kubu Shaman, John Cage, Peter Szöke, Ratna Dewi, Yoko Kanno, 
Jean-Pierre Gorin/Poto & Cabengo, Meredith Monk, Laurie Anderson, bpNichol, 
Chino Amobi, Gloria Anzaldúa, Gregory Whitehead, Einstürzende Neubauten

https://www.spreaker.com/user/terminalbeach/e02-virus-is-a-language [30 min]
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In Anlehnung an die Sache mit Bomber Harris, und in leichter Abwandlung
unseres Programms von vor fünfzehn Jahren(*), heisst es hier heute:



                                                  Andrei Tarkovsky, do it again!
                                                       David Lynch, do it again!
                                                   Jacques Rivette, do it again!
                                                  Andrzej Żuławski, do it again!
                                                Roberto Rossellini, do it again!



(*) https://piratecinema.org/screenings/20050508 - in Abwandlung, denn das Kino 
kennt ja keine Siegermächte. Beziehungsweise, um es mal, ziemlicher old boys 
club heute, mit einem alten Schweizer zu sagen: "The Russians made martyr 
films. The Americans made commercials. The English made what they always make: 
Nothing. The Germans had no cinema. No more cinema. And the French made 'Sylvia 
and the Ghost.' The Poles made two expiatory films, 'The Passenger' and 'The 
Last Step,' and a nostalgic film, 'Kanal.' Then they welcomed Spielberg. 'Never 
again' became 'It's better than nothing.' But with 'Rome, Open City,' Italy 
regained the right for a nation to look itself in the eye." (zitiert nach 
https://0xdb.org/0179213/editor/JT - die Filme ggf. bitte selbst runterladen!)



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