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We are looking forward to the exhibition at mumok - Vienna, <br>
opening tomorrow, 9th October 2015.
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<div class="">With some early work of Starship founders
Hans-Christian Dany, Ariane Müller and Gunter Reski.</div>
<div class="">Here, the exhibition still in construction, the
magazines Artfan in the foreground and DANK in the back:<br>
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<div class="">Join us at:</div>
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<div align="left"><a
href="https://www.mumok.at/en/events/expose-show-demonstrate-inform-offer"><b>to
expose, to show, to demonstrate, to inform, to offer </b><br>
</a></div>
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Artistic Practices around 1990 <br>
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<div class="field--date"> <span class="date-display-start"
property="dc:date" datatype="xsd:dateTime"
content="2015-10-10T00:00:00+02:00">Saturday, October
10, 2015</span> to <span class="date-display-end"
property="dc:date" datatype="xsd:dateTime"
content="2016-01-24T00:00:00+01:00">Sunday, January 24,
2016</span> </div>
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</span><b><span>mumok </span></b><span
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<b> </b>
<div class="field--text6"> Museum moderner Kunst Stiftung
Ludwig<br>
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<div class="field--text7"><span>Vienna<br>
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<p><small>In fall 2015, mumok will look back at
international art activities around 1990. On
three levels, we are showing installations,
publications, objects, projects, films, and
interventions by more than 50 artists and
artists’ groups. They all question
traditional forms of exhibiting and address
the pressing social challenges of their
time.</small></p>
<p><small>The words <em>to expose, to show, to
demonstrate, to inform, to offer</em> may
seem to define the functions of an
exhibition very clearly, but around 1990
there were many open questions as to what
art should be offering, how it should be
exhibited and made public.</small></p>
<p><small>In the context of larger societal
changes around 1990, artists increasingly
discussed the social functions and base of
their work. Reflecting on the conditions of
artistic production and art’s presentation
was, in various ways, intertwined with work
on actual social issues. The status of the
object of art and its economic foundation
was a subject of contentious debate, as were
the mechanisms of social exclusion, identity
politics, and gender issues—and the <span
class="caps">AIDS</span> crisis was
reaching a pivotal point. In addition, the
consequences of the fall of the Iron Curtain
as well as a rapidly advancing globalization
left their traces throughout.</small></p>
<p><small><em>to expose, to show, to
demonstrate, to inform, to offer</em>
brings together artworks and projects that,
around 1990, focused as an investigative
site modes of display and conditions of
reception. The exhibition will be shown on
three levels of mumok, presenting
internationally renowned artists and also
positions and projects that to date have
rarely been considered in museums.</small></p>
<p><small>Artists and projects: <span
class="caps">ACME</span>, <span
class="caps">ACT</span> <span
class="caps">UP</span>, <span
class="caps">A.N.Y.</span>P., Fareed
Armaly, <span class="caps">ARTFAN</span>,
Judith Barry, Cosima von Bonin, Gregg
Bordowitz, Botschaft e.V., Tom Burr,
BüroBert, Clegg & Guttmann, <span
class="caps">DANK</span>, Das ästhetische
Feld, Democracy, Stephan Dillemuth, Mark
Dion, <span class="caps">DOCUMENTS</span>,
Dorit Margreiter – Mathias Poledna – Florian
Pumhösl mit Ines Doujak und Hans Küng, Maria
Eichhorn, Peter Fend, Andrea Fraser,
Friesenwall 120, Game Girl, Felix
Gonzalez-Torres, Renée Green, Group
Material, If You Lived Here…,
Informationsdienst, Michael Krebber, Louise
Lawler, Zoe Leonard, Lesezimmer, Thomas
Locher, Allan McCollum, <span class="caps">META</span>,
minimal club, Regina Möller, Christian
Philipp Müller, museum in progress, On the
Museums Ruins, Stephen Prina, Gerwald
Rockenschaub, Martha Rosler, Klaus
Scherübel, Services, Jason Simon, Josef
Strau, Texte zur Kunst, Third Text, The
V-Girls, Octavian Trauttmansdorff, Vor der
Information, when tekkno turns to sound of
poetry, Christopher Williams, Fred Wilson,
Heimo Zobernig<br>
</small></p>
<p><small>Curated by Matthias Michalka<br>
Exhibition design by Ken Saylor<br>
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<br>
<small><small>Felix Gonzalez-Torres, "Untitled" (Go-Go Dancing
Platform), 1991<br>
© The Felix Gonzalez-Torres Foundation<br>
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</small></small>
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<small>--</small><br>
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030 4491683<br class="">
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