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<img alt="Kino Arsenal - Institut für Film und Videokunst e.V."
src="cid:part1.03080204.06000501@starship-magazine.org"
width="260" height="73"><br>
<br>
<font face="Times New Roman, serif"><font size="3"><font
face="Arial, sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000">To celebrate the release of Poor Man's
Expression, <br>
various presentations and screenings are taking place at
Arsenal <br>
and in the surrounding space on May 11th, 12th and
13th. <br>
<br>
<br>
PROGRAM <br>
<br>
<br>
Wednesday, May 11<br>
<b>I've seen it on a bigger screen before, the
resolution was fine.</b><br>
<br>
<i>With special guests Stephen Warwick and Ian White.<br>
<br>
<img
src="cid:part2.04070908.06030100@starship-magazine.org"
width="324" height="240"><br>
</i><span class="Apple-style-span" style="font-size:
8px;">THE APPLE FROM THE EYE OF THE WORM (Nina
Könnemann, 2000)</span><br style="font-size: 8px;">
<br>
19.30 Program in Arsenal 2<br>
"West Village Meat Market", Christine Noll Brinckmann,
1979, 16mm, color, 12 min.<br>
"A Life, and Time: Alfred Leslie´s letter to Frank
O´Hara + Roland Barthes on Racine", Ian White, 2011,
reading.<br>
"Self Fashion Show", Tibor Hajas, 1976, 35mm auf DVD,
s/w, 15 min.<br>
"The Last Clean Shirt", Alfred Leslie and Frank O'Hara,
1964, 16mm, s/w, 41 min.<br>
<br>
21.00 Musical performance by Stephen Warwick.<br>
<br>
In the foyer, Nina Könnemann ("The Apple from the Eye of
the Worm", Dokumentation, 2000) <br>
in a setting with contributions by Eva Seufert, Ariane
Müller, and Martin Ebner / Florian Zeyfang <br>
& </font></font></font></font></font></font><font
face="Times New Roman, serif"><font size="3"><font face="Arial,
sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000">"Eureka", Ernie Gehr, 1974-1979, 16mm,
s/w, 28 min.</font></font></font></font></font></font><br>
<font face="Times New Roman, serif"><font size="3"><font
face="Arial, sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000"><br>
<br>
Thursday, May 12<br>
<b>The director and his actor and his dog looking at
footage going out for air</b><br>
<br>
<i>With special guests Jay Chung & Q Takeki Maeda.</i><br>
<br>
<img
src="cid:part3.08010001.09040301@starship-magazine.org"
width="324" height="240"><br>
<br>
19.30 Program in Arsenal 2<br>
"Under the Brooklyn Bridge", Rudy Burckhardt, 1953, USA,
16mm, s/w, 15 min<br>
"Songdelay", Joan Jonas, 1973, 16mm on DVD, 18 min.<br>
"Real Italian Pizza", David Rimmer, 1970/71, 16mm,
color, 13 min.<br>
"A Man and his Dog Going out for Air", Robert Breer,
1957, 16mm, s/w, 2 min.<br>
"The director and his actor look at the footage showing
preparations for an unmade film", Morgan Fisher, 1968,
16mm, s/w, 15 min.<br>
"Fuck Your Landlord", Thomas Kilpper, 2003, video, 11
min.<br>
"Holzminden", Nina Könnemann, 2010, video, 3 min.<br>
<br>
21.00 Screening of Jay Chung & Q Takeki Maeda´s 16mm
film, "Caducean City", 2006<br>
<br>
In the foyer, screenings of films by Margaret Tait, You
Never Know ("Highway to Hell") and other permanent
installations.<br>
<br>
<br>
Friday, May 13 <br>
<b>Oben ein Mond im grünen Bällchen (Above a moon in a
small green ball) </b><br>
<br>
<i>With special guest Sebastian Lütgert.<br>
<br>
</i><img
src="cid:part4.05090301.03000202@starship-magazine.org"
width="324" height="180"><br>
<span class="Apple-style-span" style="font-size: 8px;">SHEIKH
ZAYED ROAD (Sebastian Lütgert, 2011)</span><br
style="font-size: 8px;">
<br>
19.30 Program in Arsenal 2<br>
"The Evil Faerie", George Landow, 1966, 16mm, s/w, 1
min.<br>
"A Leash for Fritz & Kale for Stray Bunny",
Stephanie Taylor & Alice Könitz, 2006, video, 10
min.<br>
"The Cut Ups", Anthony Balch, 1967, 16mm, s/w, 20 min.<br>
"Rat Life and Diet in North America", Joyce Wieland,
1968, 16mm, 16 min. <br>
"Mongoloid", Bruce Conner, 1978, 16mm, s/w, 4 min.<br>
"The Evil Faerie", Judith Hopf & Henrik Olesen,
2007, video, color, 1 min.<br>
<br>
21.00 Premiere of "Sheikh Zayed Road" (2011) by
Sebastian Lütgert: <br>
a fragment from a film about capitalism, set in Dubai.<br>
<br>
Plus permanent installations in the foyer, <br>
including films by Henry Hills ("Money"), P. White ("33
Yo-Yo Tricks"), Harry Smith, Nina Könnemann<br>
and a special screening of </font></font></font></font></font></font><font
face="Times New Roman, serif"><font size="3"><font face="Arial,
sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000">"Soft Materials" by </font></font></font></font></font></font><font
face="Times New Roman, serif"><font size="3"><font face="Arial,
sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000">Daria Martin.<br>
<br>
<br>
<br>
<img
src="cid:part5.07000201.01030800@starship-magazine.org"
width="324" height="233"><br>
<br>
<b>Poor Man's Expression<br>
Technology, </b></font></font></font></font></font></font><font
face="Times New Roman, serif"><font size="3"><font face="Arial,
sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000"><b>Experimental Film, </b></font></font></font></font></font></font><font
face="Times New Roman, serif"><font size="3"><font face="Arial,
sans-serif"><font size="2"><font color="#ff0000"><font
color="#000000"><b>Conceptual Art<br>
<br>
</b>Edited by Martin Ebner and Florian Zeyfang<b><br>
<br>
</b> With contributions by <br>
Stephanie Taylor, Sebestyén Kodolányi, Sebastian
Lütgert, Henrik Olesen, <br>
Mathias Poledna, Sean Snyder, Daria Martin, Kirsten
Pieroth, Martin Ebner and Florian Zeyfang. <br>
<br>
Authors: <br>
Sabeth Buchmann, Anselm Franke, Ariane Müller, Branden
W. Joseph, <br>
Stefanie Schulte Strathaus, Ian White and Axel John
Wieder. <br>
<br>
240 pages, color, 24 x 30 cm, English/German<br>
Sternberg Press, ISBN 978-1-934105-01-6<br>
<br>
<br>
<i>as a point of departure we have assumed that there
was once a close relationship between forms that now
exist rather separately, namely the realms of visual
art, experimental film, literature, poetry, music –
and very much the development of technology, too. what
is it supposed to mean that 16mm projectors now occupy
their luxurious final performance sites at art
societies and galleries, while iphone youtube (without
open source codecs, to be sure) is the current way to
watch a hollis frampton interview.<br>
<br>
the other way around, isn’t the gentle entry of the
genre of "experimental film" into the realm of "media
art" of the 1980s and 1990s itself a transformation
analog to general social and medial development
brought about by the development of individualization
and consumer society? in poor man's expression we have
sought, through an advanced setting <br>
("affirmative" neon light surfaces, and the
exhibition's paradoxical bipartite spatial principle)
to address the surrounding corporate architecture of
the sony center as well as the film archive deep
underground and the dark space of the avant-garde
cinema.</i><br>
<br>
The book is available at Arsenal, or at <a
moz-do-not-send="true"
class="moz-txt-link-abbreviated"
href="http://www.sternberg-press.com/">www.sternberg-press.com</a><br>
</font></font></font></font></font></font><br>
<br>
<br>
<font face="Times New Roman, serif"><font size="3"><font
face="Arial, sans-serif"><font size="2"><font color="#ff0000"><font
face="Arial, sans-serif"><font size="2"><b>Für weitere
Informationen:</b></font></font> <br>
<font size="2"><font face="Arial, sans-serif">Nanna
Heidenreich & Angelika Ramlow </font></font><font
size="2"><font face="Arial, sans-serif">I arsenal
distribution</font></font><br>
<font face="Times New Roman, serif"><font size="3"><font
face="Arial, sans-serif"><font size="2">030 269 55
-110 / -250 oder </font></font><font
color="#cc0000" face="Arial, sans-serif"><font
size="2"><b><a moz-do-not-send="true"
class="moz-txt-link-abbreviated"
href="mailto:cs@arsenal-berlin.de">ars-exp@arsenal-berlin.de</a></b></font></font></font></font>
<br>
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lang="it-IT">Kino Arsenal 1 & 2 | Potsdamer
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size="2"><span lang="it-IT"><small><font
color="#000000">Das Arsenal – Institut für
Film und Videokunst wird gefördert durch den
Beauftragten der Bundesregierung für Kultur
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